‘Contagion’ has all the symptoms but lacks the payoff of a solid flick

“Contagion” opened at midnight today, and I was pumped. The trailer is action-packed, thrilling and promises thrills and chills (no pun intended), but the movie doesn’t follow suit. It opens to a black screen and the isolated sound of coughing. (Kudos to director Steven Soderbergh and screenwriter Scott Z. Burns.) It all starts with one contact.

The movie’s jam-packed with Oscar winners and star power, (Matt Damon, Kate Winslet, Marion Cotillard, Laurence Fishburne, Jude Law) but there’s little time for them to shine. The movie bounces between story lines and loses momentum.

Jude Law, sporting a false tooth, does a great job as a blogger intent to cash in on hysteria; Kate Winslet is convincing as a selfless medical investigator running to the front lines of a lethal pandemic; and Laurence Fishburne (who arguably hasn’t had such a strong role since “The Matrix” trilogy) slam-dunks as the CDC front-man who’s not immune to bending the rules when his loved ones are concerned.

Oh, Gwynnie! I wouldn't do that if I were you...

We witness hysteria as food and meds dwindle, men knocking down pregnant women, looting mobs and a band of modern-day cowboys who, we can deduce by the sound of gunshots, murder a family to steal supplies. Matt Damon calls 911 only to find an automated message. “Press 4 if you need to dispose of a body.”

We get it. When the fear of apocalypse rears its ugly head, civility is the first casualty. But that seems to be the meat of “Contagion.” (Spoiler) When a vaccine is discovered (thanks to the Nobel-prize seeking courage of a lone doc), we’re on to the next point: “Who will get the life-saving meds first?” And thus begets social commentary Round 2.

The movie is very present-day with talk of pharmaceutical company conspiracies and  H1N1, but it might have been better-suited in the sci-fi genre. It’s a suspense film that loses suspense, but it does a good job of showing that there are no purely good guys or bad guys, especially during a pandemic.

It’s worth seeing if you’re curious. I was at the edge of my seat for the bulk of it, and in the vein of “Invasion of the Body Snatchers” or “Night of the Living Dead,” nobody, rich or poor, was safe in “Contagion.”  The movie’s true to its tagline: Nothing spreads like fear, but in the end, you can easily wash your hands of it … though sanitizer will do.

Charlie Sheen one-ups the Oscars

The Oscars. Most of the banter Monday was about Melissa Leo dropping the F bomb during her lengthy acceptance speech for best supporting actress in “The Fighter,” Kirk Douglas’ appearance as a presenter, and Charlie Sheen … who was not nominated for an Academy Award, but was interviewed on the Today Show Monday morning, and his outlandish behavior is upstaging Oscar talk, unfortunately.

SHEEN

To catch you up, CBS canceled Sheen’s TV show, “Two and a Half Men,” due to his recent public behavior, which included calling out the show’s creator, Chuck Lorre. Sheen is now demanding CBS publicly apologize “while licking his feet.”

When asked how long he’s been clean, Sheen simply stated “drugs tests don’t lie.” This was also his answer to the interviewer’s question: “When was the last time you did drugs?” Sheen replied: “I don’t know. I don’t care. Drug tests don’t lie. Score boards don’t lie.” It’s my understanding that recovering addicts know to the hour how long they’ve been clean, but you can make up your own mind. He seemed to be high on something, but according to Charlie Sheen, he was high on a drug called … Charlie Sheen. (Comedian Patton Oswalt posted this on Twitter: David Simon needs to do a 6th season of THE WIRE, where Marlo and his crew start selling Charlie Sheen on the corners.)

So enough about Charlie, his rant and his alleged sobriety. The Oscars were sort of ho-hum. I watched the awards show with several who loved James Franco’s dead-pan humor. It didn’t work for me, and Anne Hathaway was really endearing, cute and sweet, but that didn’t work for me either despite her many wardrobe changes. Oscar hosts should be more commanding. Let’s get Alec Baldwin back. Don’t get me wrong, I appreciate these actors and look forward to their work. In fact, I wondered if Franco was drafted to play the “dumb stoner,” which is a shame because he is anything but. He’s working on his MFA at Columbia University and recently finished filming his directorial debut movie.

FIRTH

The King’s Speech swept the big Oscar categories with wins for Best Picture, Best Director (Tom Hooper) and Best Actor (Colin Firth). I wondered if the Academy didn’t tip the scales for Firth as a compensation for last year’s loss for his role in “A Single Man.” (Jeff Bridges snagged it in 2009 for playing an over-the-hill country star battling alcoholism in “Crazy Heart.” If there was a time to split the gold statuette, last year would have been one of them.)

Many were surprised at Trent Reznor’s win for Best Original Score for “The Social Network” over Hans Zimmer for “Inception.” Christian Bale plugged Dick Ecklund’s website during his acceptance speech for best supporting actor in “The Fighter.” Some boos were heard in the crowd. Natalie Portman’s fiancee, Brian Millipied, helped her up the stairs to accept the Best Actress Oscar, a sweet assistance considering she’s pregnant. Her speech started beautifully and genuine, and I almost teared when she said she’s training for her most important role, as a mother.

PALTROW

Jennifer Hudson presented the award for Best Song, and the whole time she was on stage, I wanted her to tear it up with her power-house talent, but alas, she wasn’t there to sing. Randy Newman won his Nth Oscar for Best Song.  And later, I felt tense and empathetic during Gwyneth Paltrow’s performance of “Coming Home” from her movie, “Country Strong.” What an audience to perform for.

Here’s a list of winners at the 83rd Academy Awards, and here’s a photo gallery.

Let’s talk about the show, the winners, losers, hosts. What did you think about the event?